Sunday, October 30, 2011

The Hasty Pudding

Is one of the best poems I've read in awhile. It has great meter and I find it extremely relatable in both subject matter and the sensations it uses to convey that subject. Canto I is probably my favorite part.

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Durarara! has movies in its universe titled “Vampire Ninja.” ROFL.

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I like Corvids.

Saturday, October 29, 2011

The Aristocats

An older Disney movie that I quite enjoy. I just got done watching it again.

Now that I'm a bit older than the last time I saw it, a few things are more notable to me in the film:
  • Duchess is more complex than I originally thought she was--or at least she can be interpreted as such, especially at key points during the journey back to Paris.

  • Who is the father of Duchess' kittens? This is totally unaddressed in the entire movie. Are they even Duchess' by birth?

  • The romance felt rushed, but it's hard to do romance as an effective sub-plot.

  • Edgar Machiavelli; That must be the butler's full name.

  • Ending's a bit weak, but enjoyable.
  • Tuesday, October 25, 2011

    Anyone else seen these recent D.A.R.E commercials?

    The ones with the extreme over-use of blue colorizing and so obscure as to be useless?

    Yeah, they should rethink those.

    Thomas Paine's Number 1 from The American Crisis pamphlets makes for great quote material.

    “These are the times that try men's souls. The summer soldier and the sunshine patriot will, in this crisis, shrink from the service of their country; but he that stands it now, deserves the love and thanks of man and woman. Tyranny, like hell, is not easily conquered; yet we have this consolation with us, that the harder the conflict, the more glorious the triumph. What we obtain too cheap, we esteem too lightly; it is dearness only that gives everything its value.”

    “‘Well! give me peace in my day.’ Not a man loves on the continent but fully believe that a separation must some time or other finally takes place, and a generous parent should have said, ‘If there must be trouble, let it be in my day, that my child may have peace’; and this single reflection, well applied, is sufficient to awaken every man to duty.”

    “I love the man that can smile in trouble, that can gather strength from distress, and grow brave by reflection. 'Tis the business of little minds to shrink; but he whose heart is firm, and whose conscience approves his conduct, will pursue his principles unto death.”

    Monday, October 24, 2011

    Somnambulism quote.

    “She knew of nothing that could justify despondency. But such is humanity. Cheerfulness and dejection will take their turns in the best regulated bosoms, and come and go when they will, and not at the command of reason.” --Somnambulism, Charles Brown

    Sunday, October 23, 2011

    Charlotte Temple

    Fails at characterization.

    Okay that's a bit harsh, I've seen far worse. But Rowson does honestly trip up. I can withstand Charlotte's characterization up to a point—she's supposed to be some kind of supremely innocent and unwary figure. Though I don't get why that would necessarily make her stupid--she is continually manipulated via guilt; you would think that eventually she would realize, "Oh look, they keep manipulating me by playing on my guilt. Maybe they're not as nice I thought."

    Montraville is where my real problem lies though; Rowson tells us he's a good guy--that if he knew what he was doing would end badly, he would stop (which is some pretty weak reasoning). However, Montraville spends his time manipulating Charlotte with guilt the same way that the “bad” characters (Belcour and Mademoiselle) do. How is that “good”? The “good” character acts the same as the “bad” ones?

    lolwut?

    Saturday, October 22, 2011

    A message to myself.

    No more.
    It has ended tonight.
    It will never happen again.
    Have some damn self-control.


    ETA: I know that reads kind of ominously, but it's nothing truly bad. Just a personal behavior of mine that I've grown tired of and want to stop. I wrote it here to keep as an affirmation of my conviction.

    Friday, October 21, 2011

    Old, funny quotes.

    “From Kiquotan [the settlers] extended themselves as far as James-Town, where like true Englishmen, they built a Church that cost no more than Fifty Pounds, and a Tavern that cost Five hundred.” --From William Byrd II's, The History of the Dividing Line
    ROFL

    “The good Missionary, disgusted with this idle Tale, said, ‘What I delivered to you were sacred Truths; but what you tell me is mere Fable, Fiction, and Falsehood.’ The Indian, ofended, reply'd, ‘My brother, it seems your Friends have not done you Justice in your Education; they have not well instructed you in the Rules of common Civility . You saw that we, who understand and practice those Rules, believ’d all your stories; why do you refuse to believe ours?’” --From a conversation between a Swedish minister and a Native American chief, quoted in Benajmain Franklin's Remarks Concerning the Savages of North America

    Thursday, October 20, 2011

    Bloviating about stuff I know little about.

    (This is me pretending I know stuff. Don't take it too seriously.)

    “A narrator should not supply interpretations of his work; otherwise he would not have written a novel, which is a machine for generating interpretations.”
    —Umberto Eco

    So if a story forces an interpretation of itself to the reader, it's not a story, it's a really long pamphlet. This is why stories have subtlety (in bringing across messages, that is), because subtlety allows for ambiguity of interpretation--it allows one person to read a story and see one thing, while another sees something else entirely.

    This may be why I have such difficulty with earlier literature (in this case, the History of Eliza Wharton, which is about as subtle as a brick to the face). It's not their fault, they were writing prototypes and lacked the refinement of the art and codified tropes present today (I imagine in the future someone will say the same about the current generation, should be amusing. :P) But it doesn't change the crudeness inherent in many earlier works of literature.
    Oh well.

    It's also why we'll probably never replace the classics--they were first (from a standpoint of recorded history and known literature that is). How well they're written is only part of it; they just existed first and espoused relevant ideals, and so naturally have the most prominence.

    Wednesday, October 19, 2011

    I'm a brony. (Let's get that out of the way right now.)



    Pony-induced “Hnnnnnnnnnnnnnnnnnng!” from so much dawwwwwww.

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    Midna's Lament is the second most beautiful thing Legend of Zelda has ever produced. Right after Midna.

    Just read “The Coquette,” or, “The History of Eliza Wharton”

    Peter Sanford is such. A. Dick.

    Also, what does “&c” mean? I have never met a footnote with the decency to explain that to me.

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    I just finished a Cracked article that shows off six amazing things we've discovered in outer space (what's inner space then? Do we have a better name for it?)

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    Must buy MTG books. But first, Don Quixote, and then The Three Musketeers.

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    Does anyone know how to make blogger use "smart" quotation marks? I don't like these dumb ones.
    ETA: Haha, the smart has been doubled! “ ”